I like considering that us people are part of nature somewhat than invaders of nature.
Loji Höskuldsson
The outdated design adage, “the medium is the message,” is woven inside every embroidered sew of artist Loji Höskuldsson’s work. Utilizing textured burlap canvasses as his base, the Reykjavík-based artist embroiders considerate still-life tableaus that marry natural supplies, reminiscent of vegetation and flowers, with client items, together with meals packaging and trash. The delicacy of his thread work is soothing and serene, that includes vivid and ethereal coloration palettes that pop towards the gray burlap backdrop.
Höskuldsson’s artworks are visually splendid at floor stage, whereas their subject material provides depth and even a component of cultural commentary. He makes the mundane stunning to unite the human-made with the pure. Utterly captivated by his observe, I reached out to Höskuldsson with a number of questions on his work.
Why is embroidery your medium of selection? What does embroidery give you as a medium that others don’t?
Embroidery will not be a time environment friendly medium, so it’s comprehensible to ask: why embroidery?
For me, it’s a meditative and conscious craft. It offers me time to assume and mirror as I’m working. It’s a technique to work with pure materials, like wool, which presents a wide range of textures and coloration variations.
When and the way did you first get into embroidery? How did you develop your signature embroidery model?
Whereas on the Iceland College of Arts, I needed to strive embroidery. I used to be getting a bit of bored with all that conceptual artwork that was happening at the moment. My mother is a quilter and a textile artist, and has been encouraging all kinds of textile work since I used to be a child. For a residency I did whereas finding out, she handed me a small tufting device and, since then, I’ve accomplished nothing however embroidery and tufting.
It took me some time to develop, and a variety of analysis went into discovering the correct stitches for my items.
What’s your artistic course of like? Do you sketch out a design or composition earlier than embroidering it?
I do a tough sketch in a pocket book the place I mark dimensions and a tough structure of principal themes. Embroidery takes time, in order I’m embroidering the bigger objects, I’ve time to consider smaller particulars within the image.
A lot of your items mix nature and natural parts with client merchandise. What are you hoping to speak with this juxtaposition?
I like considering that us people are part of nature somewhat than invaders of nature. A client product in dialog with natural parts tells a narrative, and there’s a sense of motion that comes together with it. It asks the query of how did this get there?
