I’ll eternally be a bit of bit cross with whoever invented the idea of a number of journal covers – every situation ought to be definitive dammit – and Port don’t assist issues a lot by making all of theirs bloody beautiful. They’ve made it a bit simpler with the brand new situation, as one among them is graced by this Jai Odell portrait of Taika Waititi, enrobed by some splendidly scrappy hand-lettering. Excellent.
There’s some gorgeous work on this yr’s Taylor Wessing Photograph Portrait Prize. Unimaginable to select a favorite, however this one from Zoja Kalinovskis’ Unseen sequence is sort of stunning. The exhibition is on on the shiny and new Nationwide Portrait Gallery till the top of February. In all probability my favorite London gallery, I can’t wait to get down there and take a look at what they’ve achieved to the place.
I believe the anodyne glassy show of a pc doesn’t do justice to Korean artist Jungjin Lee’s images of the American West. Presently on present on the Howard Greenberg Gallery in New York, Lee’s photographs get their distinctive look and texture by being printed on conventional hand-made hanji paper. Briefly, I needs to the touch them.
It all the time comes round so shortly; it’s Aesthetica Quick Movie Competition time right here in York. A part of this yr’s occasion is poster exhibition held at Streetlife on Coney Avenue. I’ll be making y method down there this weekend, largely to understand this terrific Matt Needle design for Natalie Cubides-Brady’s The Veiled Metropolis.
Speaking of film posters, I’m compiling my annual assessment of the yr’s finest for Inventive Assessment. Though I’ve already received a heaving shortlist, each time I do that there’s all the time one thing obscure that comes out of the woodwork that blows me away – final yr, Derek Gabryszak’s design for Tramps! fully stole my coronary heart. So should you’ve seen any notably splendid posters this yr, let me know.
It in all probability says extra about me than her, however I did a double take on the image of Jenny Holzer from 1984 – “oh she’s wanting up from her cellphone and … wait a second.” From Jeannette Montgomery Barron’s fabulous sequence of black and white portraits of artists in Downtown New York within the Nineteen Eighties, together with the likes of Warhol, Haring, Sherman, Basquiat, Mapplethorpe, the entire gang.
This was initially posted on In the meantime, a Substack devoted to inspiration, fascination, and procrastination from the desk of designer Daniel Benneworth-Grey.
Banner: screenshot from The Veiled Metropolis by Natalie Cubides-Brady.
